Bob is a local author and publisher at Loose Cannon Press. Here are some suggestions on writing from him.
By Bob Barclay
I would like to encourage my fellow writers to pay attention to the moon. It is one of our most powerful natural symbols, and we all use it to set our scenes. But, like everything else in the natural world, the moon obeys the immutable laws of the universe, so we should treat its appearance with respect.
Even well-known professional authors forget that plausibility does not cease at the edge of the atmosphere. For example, and internationally acclaimed author and winner of prestigious awards writes that “a crescent moon was rising in the west.” Impossible: as the Earth rotates, all celestial objects, including the moon, rise in the east and set in the west. The crescent moon rises in the east before dawn.
Another award-winning author describes her protagonist walking out to the ice rink late at night, lit only by the thinnest crescent moon. Again, not possible: the new moon is a dusk phenomenon, and it would have long since set; the scene could only be illuminated by a waxing moon, half or greater.
“The full moon, amid a field of a million stars, lit the scene as bright as day,” writes a well-known Canadian author. However, when the moon is full and high its glare washes out the stars. Only the brightest of stars can be discerned at the full moon.
One can have a million stars, or one can have a brilliant full moon, but not both. I have read of a full moon floating high in the sky at sunset, when orbits dictate that as the sun sets in the west, so the moon rises in the east.
One must also be careful to address the passing of time. In one classic novel, a raft passing down a river is lit by a full moon, while the very next day the moon has become a crescent. Such inattention to detail causes the reader to question the plausibility of the entire world the author has created, so let’s try to avoid opening fissures in our narrative by ignoring the operation of the orbs.